In the cities of the Pampean plain, the urban grid imposed on our bodies a very particular rigor in relation to the territory. On our streets we are trapped in unique perspective. The neat lines of escape cord, paths, walls and trees create particular strip of sky.
Continuous edges of apples hide dense assume joint moments, but never verified. Immersed in these sequences orthogonal escapes our gaze on the diagonal. That is what is our eyes when trying to cross over, foreshortened to the centers of our apples impossible? Sometimes, in the avenues of income in the suburbs of the city, on low terraces, our eyes are large billboards.
The Concessionaire Bike Rosario newly designed for the study of Gerardo Caballero, located on a lot between party in a high traffic street, we are introduced parallel to the building floating like a big screen. Screen found in the spatial depth through our eyes with pleasure. The invitation to cross visually accurate glass facade portions is given by certain subtle deformations in court operated. The outer edge of the screen is tuned to adjust the volume with a precise line, tightening the skin of glass in extreme form.
Perspectival deformation of the frame of the screen repeats the geometry of our visual cone, emphasizing the overhang of tension and releasing gravitational: the screen flies. Finally, the roof of metal containing a small inflection in the slope, separating two dominant visual cones: one through the screen and has the ceiling as his final canvas, the other starts under the overhang of income and view log entry overhead light illuminating the ceiling and activates this machine to look at. Imagine the bikes, freed from gravity, flying in the dense space, this liquid light.
