The need (and obligation) to protect the weapons so jealous that, paradoxically, is to show the client does not represent anything other than a reconciliation of opposites. Opposites that have been appearing in the project on an ongoing basis: Show how a product when the communication front, commercially speaking, it is feared in climate terms? How a family business, extremely conservative, around a very conservative activity also can support the emergence of an establishment to try to negotiate with modernity in all its meanings?
The building is a response and a consequence of these opposites, from the ground to the rebels, the materiality, the coloring and textures. NEGRO_un closed metal box in the back, but that is always displayed as abstract background, where guard weapons and ammunition, but also where they work, where repairs, handcrafted wood and metal.
BLANCO_elemento solid, heavy yet floating, open through large vertical slits, the openings of the fortress, which allow access vision, eyes hidden to the clients that access, where they traded, but never with weapons, only clothes, ornament hunting.
